Oh, Hi

If life hasn’t told you already, movies can always be counted on to remind you of just how complicated love is. It used to be as simple as a girl standing in front of a boy asking him to love her—but now there are relationships, situationships, and plain old friendships. So many ships, and all we really want to know is: which one do we sail on?

Enter Sophie Brooks, and with the help of Molly Gordon, their new film Oh, Hi! doesn’t offer any answers about which ship to board—but it does deliver a thoroughly entertaining ride.

It’s a big weekend for Iris (Molly Gordon) and Isaac (Logan Lerman), as they set off on their first getaway as a couple. Everything seems great between them—there’s even a charming duet of Islands in the Stream on the way to their destination. Once they arrive, things continue smoothly: they enjoy a swim, Isaac cooks scallops, and later, they try to “spice things up” with a pair of handcuffs. But after Iris backs out due to hesitation, Isaac still gives it a go. It all seems fine—until the post-intimacy conversation, when Isaac casually mentions he’s not looking for commitment.

Normally, that kind of news might be acceptable. But when you’re tied to a bed? Maybe not the best timing. Iris refuses to untie him, wanting to sort out what this all means. Things escalate further when she calls her best friend Max (Geraldine Viswanathan), who arrives with her boyfriend Kenny (John Reynolds) in tow. Let’s just say: things get a little sticky. A plan is made—but will it actually work, or just make an awkward night even worse?

Written by Gordon and Brooks, Oh, Hi! is a story that transforms—from the warm glow of romance to something darker and more emotionally complex. This transformation is handled with care, striking a balance between tender, romantic moments and intense emotional pivots. The dialogue has a natural rhythm, and what the characters don’t say often speaks louder than what they do.

Despite its heavier themes, Oh, Hi! is still a light, funny comedy. There’s real joy in watching these characters fumble through their decisions, making very human mistakes. The film offers sharp observations on modern relationships that will resonate with many viewers, all presented in a palatable and entertaining way. Miscommunication and misunderstood intentions are painfully relatable, and Iris is a character many will see themselves in. Thankfully, the stakes are low for us—because it’s not our weekend falling apart.

Though the plot finds itself in a tight spot at times, it hardly matters. The chemistry between Gordon and Lerman carries the film, especially as they lean into its screwball energy. Ultimately, Oh, Hi! takes the familiar rom-com formula and pushes it in new directions. It’s clever, romantic, and though imperfect, the casting is pitch-perfect.

And in the end, Oh, Hi! is one ship you’ll be glad you sailed on.